Shakespeare: The Invention of the Human

The New York Times bestseller from Harold Bloom...

A National Book Award Finalist, National Book Critics Circle Award Finalist, a New York Times Notable Book of the Year, and a Publishers Weekly best book of the year.

"The indispensable critic on the indispensable writer."--Geoffrey O'Brien, New York Review of Books

A landmark achievement as expansive, erudite, and passionate as its renowned author, Shakespeare: The Invention of the Human is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships--that Shakespeare not only invented the English language, but also created human nature as we know it today.

* A New York Times bestseller
* A National Book Award Finalist
* A National Book Critics Circle Award Finalist
* A New York Times Notable Book
* One of Publishers Weekly's Best Books of the Year
* A Main Selection of the Book-of-the-Month Club
* An ALA Booklist Editors Choice for 1998
* The culmination of Bloom's celebrated career--a long-awaited, complete assessment of his most beloved subject
* Includes in-depth readings of every Shakespeare play
* An essential reference volume for every home and school library

"A huge cloak-bag of ideas...It is a feast."--Wall Street Journal

"An enraptured, incantatory epic...dazzling...You could hardly ask for a more capacious and beneficent work than Shakespeare: The Invention of the Human."--The New Yorker

"A fiercely argued exegesis of Shakespeare's plays in the tradition of Samuel Johnson, Hazlitt, and A.C. Bradley, a study that is as passionate as it is erudite." --Michiko Kakutani, New York Times

"Bloom has given us the crowning achievement of his career...If any piece of literary criticism can have a practical effect--on our stage and imaginations--this is the one."--Salon

"Should this be the one book you read if you're going to read one book about Shakespeare? Yes."--The New York Observer

"Bloom...is a master entertainer." --Newsweek

"Very nearly perfect."--Kirkus"Personality, in our sense, is a Shakespearean invention, and is not only Shakespeare's greatest originality but also the authentic cause of his perpetual pervasiveness." So Harold Bloom opines in his outrageously ambitious Shakespeare: The Invention of the Human. This is a titanic claim. But then this is a titanic book, wrought by a latter-day critical colossus--and before Bloom is done with us, he has made us wonder whether his vision of Shakespeare's influence on the whole of our lives might not be simply the sober truth. Shakespeare is a feast of arguments and insights, written with engaging frankness and affecting immediacy. Bloom ranges through the Bard's plays in the probable order of their composition, relating play to play and character to character, maintaining all the while a shrewd grasp of Shakespeare's own burgeoning sensibility.

It is a long and fascinating itinerary, and one littered with thousands of sharp insights. Listen to Bloom on Romeo and Juliet: "The Nurse and Mercutio, both of them audience favorites, are nevertheless bad news, in different but complementary ways." On The Merchant of Venice: "To reduce him to contemporary theatrical terms, Shylock would be an Arthur Miller protagonist displaced into a Cole Porter musical, Willy Loman wandering about in Kiss Me Kate." On As You Like It: "Rosalind is unique in Shakespeare, perhaps indeed in Western drama, because it is so difficult to achieve a perspective upon her that she herself does not anticipate and share." Bloom even offers some belated vocational counseling to Falstaff, identifying him as an Elizabethan Mr. Chips: "Falstaff is more than skeptical, but he is too much of a teacher (his true vocation, more than highwayman) to follow skepticism out to its nihilistic borders, as Hamlet does."

In the end, it doesn't matter very much whether we agree with all or any of these ideas. What does matter is that Bloom's capacious book sends us hurrying back to some of the central texts of our civilization. "The ultimate use of Shakespeare," the author asserts, "is to let him teach you to think too well, to whatever truth you can sustain without perishing." Bloom himself has made excellent use of his hero's instruction, and now he teaches us all to do the same. --Daniel Hintzsche